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With a consuming enthusiasm for the paintings of Pierre-Auguste Renoir (1841-1919), art collector Sterling Clark assembled one of the greatest private collections of Renoir's work during the first half of the 20th century. Today the masterpieces he so admired form a vital part of the Impressionist holdings of the Sterling and Francine Clark Art Institute. The Genius of Renoir: Paintings from the Clark offers a fascinating, fresh look at the thirty-two Renoir paintings in the Clark collection, featuring beautiful digital color reproductions created especially for this volume.
The book brings to light new and often revelatory scholarship concerning the importance of each work, both within Renoir's oeuvre and within the Clark collection. Among the richly varied paintings, encompassing portraits, landscapes, and still lifes, are such key works as Marie-Th�r�se Durand-Ruel Sewing, A Box at the Theater (At the Concert), Onions, and Venice, the Doge's Palace. John House, a leading authority on Renoir, offers an in-depth analysis of each of the works in the collection, and curator-author James A. Ganz draws on extensive archival research on Sterling Clark's pursuits as an art collector and museum founder to illuminate this visionary and often enigmatic man.
- Sales Rank: #1347273 in Books
- Published on: 2011-02-22
- Original language: English
- Number of items: 1
- Dimensions: 11.14" h x .71" w x 9.34" l, 2.16 pounds
- Binding: Hardcover
- 140 pages
About the Author
John House is Walter H. Annenberg Professor at the Courtauld Institute of Art, London. James A. Ganz is curator of the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco.
Most helpful customer reviews
4 of 5 people found the following review helpful.
brings back fond memories
By Gottfried Schmer
I went to see this exhibition last winter at Prado Museum. Although the exhibition consists of some twenty odd paintings, all the paintings show the artistic development of Renoir as he matured and influenced other Impressionists. Each painting has a biographical sketch of the sitter and their reaction to the painting. It is interesting to read that some of the sitters did not like his paintings and brought it back to Renoir without making a payment. This book gives you a peek to the times and life of a Renoir who struggled to make a living as a artist. All the color plates are exactly like the original paintings at the exhibition. I recommend this book to lovers of Renoir.
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