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Hagar Poems, by Mohja Kahf
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The central matter of this daring new collection is the story of Hagar, Abraham, and Sarah—the ancestral feuding family of Judaism, Christianity, and Islam.
These poems delve into the Hajar story in Islam. They explore other figures from the Near Eastern heritage, such as Mary and Moses, and touch on figures from early Islam, such as Fatima and Aisha. Throughout, there is artful reconfiguring. Readers will find sequels and prequels to the traditional narratives, along with modernized figures claimed for contemporary conflicts.
Hagar Poems is a compelling shakeup of not only Hagar’s story but also of current roles of all kinds of women in all kinds of relationships.
- Sales Rank: #2145121 in Books
- Published on: 2016-07-01
- Original language: English
- Dimensions: 9.00" h x .40" w x 6.00" l, .0 pounds
- Binding: Paperback
- 160 pages
Review
“Forthright and fearless poetry. Kahf brilliantly transposes the disorienting experience of life in the U.S. for many immigrant and marginalized women with the rich history of the Abrahamic religions.”
—Booklist, Sept. 2016
“Hagar/ Hajar the immigrant/exile/outcast/refugee mother of a people is given multiple voices and significance in Mohja Kahf’s new book of dramatic monologues, which also reinvents Pharaoh’s daughter, Zuleika, A�sha, and Mary in poems that are at once lively and learned, agnostic and devout. The sequence on an American mosque, and the poet’s ambivalent love for what it represents, is unique in American poetry.”
—Marilyn Hacker, author of A Stranger’s Mirror
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“‘Where have all the goddesses gone,’ writes Mohja Kahf, ‘I tracked down Isis / incognito on Cyprus. /She told me Ishtar / lived under the radar / in southern Iraq. . . .’ In Hagar Poems, Mohja Kahf’s hallmark qualities—irreverence, imagination, wit, poignancy—are all exuberantly in evidence. A wonderful read.”
—Leila Ahmed, author of A Quiet Revolution: The Veil’s Resurgence, from the Middle East to America
“This brilliant collection captures all the ‘patient threading of relationship’ between Hagar and Sarah as between women, and then between women and men, between human and God. . . . At every turn of the page [Kahf] refuses complacency and circumstance but opts instead for exposing the tenuousness of threads that tie and bind and then come loose before our eyes.”
—From the foreword by Amina Wadud
“Mohja Kahf’s Hagar Poems is brilliantly original in its conception, thrillingly artful in its execution. Its range is immense, its spiritual depth is profound, it negotiates its shifts between archaic and the contemporary with utmost skill. There’s lyricism, there’s satire, there’s comedy, there’s theology of a high order in this book.”
—Alicia Ostriker, author of For the Love of God: The Bible as an Open Book
“In a world where Islamophobia, hijabi Olympians, and burqini bans feature in everyday news, Arab-American poet Mohja Kahf’s new collection, Hagar Poems, is timely and relevant, delivering a clear-eyed vision of women in Islam.”
—Christian Feminism Today
Hagar Poems surprised me, delighted me, and taught me, helping me to understand the story in unfamiliar ways.”
—Glynn Young, TweetSpeakPoetry
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About the Author
Mohja Kahf was born in Damascus, Syria, in 1967 to parents who immigrated to the United States in 1971. She is the author of a poetry book, E-mails from Scheherazad, and a novel, The Girl in the Tangerine Scarf.
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A familiar story from an unfamiliar perspective
By Glynn Young
The Biblical story of Abraham, Sarah, and Hagar is well known. God promises Abraham he will be a great nation, but his wife Sarah, because of her advanced age, is doubtful. She gives Hagar, one of her servants, to Abraham, thinking that’s where the great nation will come from. Hagar promptly gets pregnant and later gives birth to Ishmael. Then Sarah gets pregnant, and has Isaac. Abraham eventually faces rivalry in the camp, until Sarah convinces him to expel Hagar and her son, forcing them into the desert to (presumably) die.
But they don’t. God hears her cries as they’re dying, and sends an angel to rescue them and point to water. The Jewish people will descend through Isaac, and the Arab people through Ishmael. The rivalry in the camp becomes the rivalry lasting to the present day.
This is the story from the Book of Genesis in the Bible, but the Quran contains a similar account. Poet and writer Mohja Kahf uses both accounts to weave “Hagar Poems,” her new collection published this year.
She does more than weave stories, however. She also tells them. She moves Abraham, Sarah, and Hagar back and forth across centuries. She includes poems by Sarah. She positions Hagar at an AIDS march. She has Abraham expressing doubts about his actions. She has Hagar talking with her therapist, and her therapist taking notes.
Hagar Dreamwork: The Therapist’s Notes
You’ve got this Hagar thing all wrong
It’s mythic. You’re stuck
at left-wing literal levels
of rage-for-justice rhetoric
and knee-jerk feminist bludgeoning
Go get your Jung and Ibn al-Arabi;
What is the Hagar function in the psyche?
Here we have the angel and the baby;
here, two wives, two brothers,
a doppelganger story.
It’s all interior, desert and city,
mountain and well.
Take it from history;
wake up and jot down the latest jigsaw clue:
All the characters in the Hagar dream are you.
A note on the references: Carl Jung (1875-1961) is the founder of analytical psychology and Abu Bakr Ibn al-Arabi (1076-1148), an Islamic legal scholar who was interested in questions of the human soul. This is one of several poems where Kahf envisions Hagar receiving therapy.
Collectively, what results is a brilliant retelling of the biblical story, one that is at once both ancient and contemporary.
The second section of the book are poems drawn largely from Quranic texts about Moses and his mother, Pharaoh’s daughter who finds Moses, Mary learning she is pregnant with Jesus, and then subjects largely related to solely Islamic stories. The entire collection contains “64 plus” poems – the “plus” being several pages of short poems at the end grouped under the general heading of “Little Mosque Poems.” The “Hagar Poems” section is comprised of 29 poems.
Kahf was born in Damascus, Syria, in 1967, and received her Ph.D. in comparative literature from Rutgers University. She is currently an associate professor of comparative literature at the King Fahd Center for Middle East and Islamic Studies at the University of Arkansas-Fayetteville. Kahf is also the author of a novel, “The Girl in the Tangerine Scarf” (2006) and a 2003 poetry collection, “E-mails from Scheherazad.”
“Hagar Poems” surprised me, delighted me, and taught me, helping me to understand the story in unfamiliar ways.
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