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DON QUIXOTE (non illustrated), by Miguel de Cervantes
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Interspersed among these adventures are a series of stories and moral tales, illustrating the pastoral storytelling tradition in Spain. As well, there are two long, learned disquisitions, delivered by Quixote. The first is a description of the Golden Age of mythology, told during a supper shared with some unlettered goatherds who don't understand a word he says. Later on, Quixote addresses a company during dinner at an inn in a debate about whether the career of arms is superior to that of letters, or vice versa.
Throughout the adventures it becomes clear that Quixote, for all his seeming madness, is a mild-mannered, empathetic man, genuine in his concern for chivalric ideals. Although he has agendas of his own, Sancho Panza has come to believe in and show loyalty to his new master. But in spite of all his good intentions, Quixote's quest leads him to be returned home, imprisoned in a cage on an ox-cart by his village priest and barber for Don Quixote's own good.
Published in a separate volume, Book Two of Don Quixote's adventures contains a unique feature. Shortly after Book One was published and Cervantes was at work on Book Two, he got word of the appearance of a pirated Book Two in which the author, a writer named Avellaneda, presumed to write further adventures of the knight, going so far as to renounce his service to Dulcinea. Cervantes was at Chapter 59 in Book Two, having Quixote and Panza headed to a jousting tournament in Saragossa. Now, angered by the pirated version, Cervantes sets forth in revenge by having Quixote and Panza eating dinner at an inn and "overhearing" talk of the Avellaneda version. The knight and squire promptly set forth to Barcelona, home of Don Alvaro Tarfe, a character from the Avellaneda book. When they arrive in Barcelona, they kidnap the Avellaneda character.
Book Two also introduces the character of Samson Carrasco, a young man from Don Quixote's village. A recent graduate of Salamanca University, Carrasco takes on the earlier roles of the priest and the barber in attempting to rescue and keep Don Quixote away from danger, but Don Quixote is not interested in being "rescued." He is determined to go to Tobosa to pay his respects to Dulcinea. They encounter three peasant girls and by some deception, Sancho hopes that his master will accept one of these as being Dulcinea. When events or appearances run counter to his expectations, Don Quixote tends to believe that enchanters have worked their mischief. In this instance, he believes enchanters have made Dulcinea look like an ugly peasant girl.
Don Quixote unexpectedly wins a battle with a knight (The Knight of the Mirrors), who turns out to be none other than Samson Carrasco in disguise. Samson had hoped to get the Don back home to safety by disguising himself as a rival knight. The plan backfires. Shortly afterwards, Don Quixote and Sancho Panza meet the "Knight in the Green Topcoat," which includes the episode of the lion with whom the Don wants to do battle.
The major portion of this section is devoted to an unnamed duke and duchess who, with their retainers, play a series of pranks — in the form of burlesque pageants — on Quixote. They also cause injury to both the knight and his squire. Another vital element is the appointment of Sancho Panza as governor of an island — another elaborate prank that ends with Panza renouncing the life of a feudal governor and showing a deep layer of loyalty to Quixote.
Once again Samson Carranzo appears, this time at the beach in Barcelona where, in the guise of The Knight of the White Moon, he challenges Don Quixote to battle. Of course, Quixote accepts the challenge and, in the presence of the viceroy and a distinguished company, is roundly defeated. A condition of Quixote's defeat is that he abandon knight errantry for the rest of his life. (non illustrated)
- Sales Rank: #745662 in eBooks
- Published on: 2010-11-29
- Released on: 2010-11-29
- Format: Kindle eBook
From Publishers Weekly
There would seem to be little reason for yet another translation of Don Quixote. Translated into English some 20 times since the novel appeared in two parts in 1605 and 1615, and at least five times in the last half-century, it is currently available in multiple editions (the most recent is the 1999 Norton Critical Edition translated by Burton Raffel). Yet Grossman bravely attempts a fresh rendition of the adventures of the intrepid knight Don Quixote and his humble squire Sancho Panza. As the respected translator of many of Latin America's finest writers (among them Gabriel Garcia Marquez, Carlos Fuentes and Mario Vargas Llosa), she is well suited to the task, and her translation is admirably readable and consistent while managing to retain the vigor, sly humor and colloquial playfulness of the Spanish. Erring on the side of the literal, she isn't afraid to turn out clunky sentences; what she loses in smoothness and elegance she gains in vitality. The text is free of archaisms the contemporary reader will rarely stumble over a word and the footnotes (though rather erratically supplied) are generally helpful. Her version easily bests Raffel's ambitious but eccentric and uneven effort, and though it may not immediately supplant standard translations by J.M. Cohen, Samuel Putnam and Walter Starkie, it should give them a run for their money. Against the odds, Grossman has given us an honest, robust and freshly revelatory Quixote for our times.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“Grossman has given us an honest, robust and freshly revelatory Quixote for our times” (Publishers Weekly (starred review))
“A major literary achievement.” (Carlos Fuentes, New York Times Book Review)
Language Notes
Text: English, Spanish (translation)
Most helpful customer reviews
263 of 283 people found the following review helpful.
Quintessential Masterpiece of European Literature
By Adam Dukovich
I have read this book both in English and Spanish, and I can honestly say that it loses very little of its power, wit or message in translation. For all those who have considered reading this book, here are a few good reasons: this book is a very nuanced look at escapism and identity, a wonderful parody of knight stories, along with being a rousing (and very funny) adventure centering around the titular hero, a man who reads one too many books about knighthood and chivalry and decides to become a knight-errant himself. After recruiting a sidekick and choosing a lady to woo per narrative convention, he sets out to conquer the forces of evil, which include, among other things, giant windmills and rogue "knights". Cervantes' insight and ability to parody were both ahead of his time, and in a time where escapism and voyeurism are well and thriving, it is not difficult to imagine someone watching too many TV shows and believing they're a wild west outlaw or what-have-you. A very fascinating experience, and it works well in any language. Highly recommended.
94 of 102 people found the following review helpful.
A Great Modern Translation
By JR Pinto
Everyone should read Don Quixote at least once. It is the first modern novel ever written. It is also one of the longest - although, I don't see how it could be any shorter. The novel is actually two novels stuck together. Cervantes published the first half, which became an incredible success. Years later, he published the second part which relates the third salley of the Don. The effect that this has on the book is that all the major characters in the Part II have all ready read Part I, making the book incredibly self-referential. Cervantes also has fun in mocking a spurious Part II by another author that was published at the time.
I do not speak Spanish - let alone 17th Century Castilian, so I was forced to read the novel in translation. I have never read another version, but John Rutherford's Penguin Classics version was satisfactory in every way. He does his best to retain Cervantes' humor, which is the most important aspect of the novel. Also, modern audiences my benefit from translation because it puts the book into the modern language - making a four-hundred-year-old book read fresh.
As for the plot, a country hidalgo named Alonzo Quixano spends his time reading chivalric romances. One day, he decides to become a knight errant named Don Quixote (Sir Thighpiece). He convinces a simple neighbor who speaks in proverbs, Sancho Panza, to come along with him to be his squire. Quixote is crazy and Sancho is a fool - except that they seem to be preternaturally sane and wise when the chips are down. If you are only familiar with Man of La Mancha, the book is drastically different. Dulcinae never actually makes an appearance. Sancho is traveling along because he has been promised the governorship of an island - and he gets it! They just spend the book wandering around and getting into adventures. Personally I prefer the second part of the novel (the first is too digressive).
Allow yourself some time, and enjoy this masterpiece of Western Literature.
45 of 48 people found the following review helpful.
Well translated, Well produced; I Recommend this Edition
By Eric D. Knapp
It's been a long time since I've read Don Quixote, and that last time it was in a scholarly sense (meaning, I was forced to read it). I enjoyed it, and thought about reading it again, so I picked up the tattered, coverless, mass-market paperback that was pressed so tightly against the inside veneer of the bookshelf that it was literally stuck there. My first impression brought back a memory (and what might actually be some sort of phobia) -- footnotes! There were literally so many footnotes, attempting to explain the translation in order to make it more readable, that it distracted /irritated /frightened me, and I crammed the book right back where I found it.
I went on a quest for a footnote-free edition, and on the suggestion of a friend picked up the "new Grossman translation". I picked it up and flipped through the pages (the softcover edition)... there were some footnotes in there, but not too many, and they seemed to, for the most part, to explain spanish terms or old currencies and the like. No case of footnotes outweighing text on any given page... so that was a good start and an immediate salve for my (admittedly bizarre) footnote phobia.
That's how I came to own this version of Don Quixote. Now that I have it, I can say:
I don't miss the footnotes (not that I of all people would), because the text is extremely readable without explanation. The story seems jauntier and more funny than I remember... although I am no scholar, and can not read the original due to my own linguistic failures, I can only assume that this more joyful gait is owed to the translation. Go Grossman!
Another important point: the production quality of the paperback edition is phenomenal -- what other publishers should strive for. The paper is heavy and opaque yet it holds well, the pages (and the cover) feeling very fluid in the hand. It sounds silly, but with a ~1000 page novel, it makes a big difference. I was able to hold the book in one hand and read comfortably. Also, the generous wings on both covers came in handy when a bookmark or paper scrap could not be found to mark my place. Go Harper Perrenial!
I wont critique the actual story here, as that has been done to death. I will keep my critique to this wonderful, straightforward, footnote-lite, feel-good edition. And this is it: I highly recommend it, a beautiful and proudly-built edition that is certainly as worthy of literary study as it is an enjoyable and entertaining way to relax. Now go and tilt at a windmill, or something.
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